SMALL ITALIAN HARPSICHORD



In 2003 I built the first of a series of four-octave "false inner-outer" Italian harpsichords using layout procedures common in 17th-century Italian practice. The goal was to make an instrument with few frills, yet no compromises in musical values or action.

In the following years, I have finished four more of these instruments, and two are due to be completed by the fall of 2008. What was first envisioned as a modest, affordable and easily-moved "practical" continuo instrument has offered unexpected sophistication and versatility.


Each one is a little different from the others, but the differences are minor, some of them simple accommodations for an owner's needs (pitch levels, transposers; that sort of thing). Cases are of true-fir or poplar, painted on the outside, with inner veneers simulating a light-cased Italian harpsichord nestled in its outer case. Compass is typically C-d''', and some of these have three-way transposers. Keyboards are of chestnut or beech, with boxwood-covered naturals, and dark-stained, ebony-topped sharps. Soundboards are of true fir (spp. abies) or Italian spruce. All have wooden jacks and are strung in brass.



Here is a little gallery with pictures and short recordings of several harpsichords from this project.


Galleazzo: Praeludium from Fitzwilliam Virginal Book (3.6 Mb)

Frescobaldi: Toccata Nona (Bk. I) (7.6 Mb)

(Recorded and performed by Owen Daly)


Douglas Leedy:
The Leaves Be Green
(10.4 Mb)

(Performed by Margret Gries; Recorded by Owen Daly)

Frescobaldi: From Aria detta la Romanesca (5.6 Mb)

(Performed and Recorded by Owen Daly)


Seixas: Sonata (2.9 Mb)

(Performed and Recorded by Owen Daly)

Hoffmeister: from Concerto in D-Major for Harpsichord and Viola (10 Mb)

(Renate Falkner: Baroque Viola
Stephen Rapp, Harpsichord
Recorded by Wayne Hileman, Candlewood Digital LLC)